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Overpass Canvas Print featuring the photograph Hugh R. Thomas Bridge, Tuscaloosa, Alabama by Jeremy Butler

Frame

Top Mat

Top Mat

Bottom Mat

Bottom Mat

Dimensions

Image:

10.00" x 6.50"

Overall:

10.00" x 6.50"

 

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Hugh R. Thomas Bridge, Tuscaloosa, Alabama Canvas Print

Jeremy Butler

by Jeremy Butler

Small Image

$60.00

Product Details

Hugh R. Thomas Bridge, Tuscaloosa, Alabama canvas print by Jeremy Butler.   Bring your artwork to life with the texture and depth of a stretched canvas print. Your image gets printed onto one of our premium canvases and then stretched on a wooden frame of 1.5" x 1.5" stretcher bars (gallery wrap) or 5/8" x 5/8" stretcher bars (museum wrap). Your canvas print will be delivered to you "ready to hang" with pre-attached hanging wire, mounting hooks, and nails.

Design Details

A sweeping green overpass dominates the upper part of the photo, supported by numerous concrete pillars that contrast with an overcast sky. Below, a... more

Ships Within

3 - 4 business days

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Hugh R. Thomas Bridge, Tuscaloosa, Alabama Photograph by Jeremy Butler

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Artist's Description

A sweeping green overpass dominates the upper part of the photo, supported by numerous concrete pillars that contrast with an overcast sky. Below, a well-maintained park with pathways, lampposts, and young trees offers a recreational space amidst the urban infrastructure.

Photo captured March 15, 2024, Tuscaloosa, Alabama, with a Nikon Zf camera, Metadata: 1/125 second shutter speed at f/10, ISO 200, 50 mm focal length.

Copyright 2024 Jeremy G. Butler.

About Jeremy Butler

Jeremy Butler

Jeremy Butler set up a darkroom in his parents' utility room while in high school in Phoenix, around 1970. He pestered his friends relentlessly and ruthlessly throughout the 1970s--constantly thrusting the camera in their faces. But he never could afford to print all the images on some 100 contact sheets. Now that he has a scanner, he's gone wild rediscovering the images he shot during that decade. I guess it's just the law of averages that some of them are quite good. In the 1980s, Jeremy began shooting more color film. He had no access to a black-and-white darkroom and so the impetus to shoot B&W gradually faded. And he was an early convert to digital photography as the 20th century came to a close. These black-and-white images...

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