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Church Framed Print featuring the photograph Iglesia Evangelica Jesus es la Resurreccion by Jeremy Butler

Frame

Top Mat

Top Mat

Bottom Mat

Bottom Mat

Dimensions

Image:

10.00" x 6.50"

Mat Border:

2.00"

Frame Width:

0.88"

Overall:

15.50" x 12.00"

 

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Iglesia Evangelica Jesus es la Resurreccion Framed Print

Jeremy Butler

by Jeremy Butler

Small Image

$169.00

Product Details

Iglesia Evangelica Jesus es la Resurreccion framed print by Jeremy Butler.   Bring your print to life with hundreds of different frame and mat combinations. Our framed prints are assembled, packaged, and shipped by our expert framing staff and delivered "ready to hang" with pre-attached hanging wire, mounting hooks, and nails.

Design Details

Iglesia Evangélica Jesús es la Resurrección, Northport, Alabama.

Copyright 2024, Jeremy Butler.

Ships Within

3 - 4 business days

Additional Products

Iglesia Evangelica Jesus es la Resurreccion Photograph by Jeremy Butler

Photograph

Iglesia Evangelica Jesus Es La Resurreccion Canvas Print

Canvas Print

Iglesia Evangelica Jesus Es La Resurreccion Framed Print

Framed Print

Iglesia Evangelica Jesus Es La Resurreccion Art Print

Art Print

Iglesia Evangelica Jesus Es La Resurreccion Poster

Poster

Iglesia Evangelica Jesus Es La Resurreccion Metal Print

Metal Print

Iglesia Evangelica Jesus Es La Resurreccion Acrylic Print

Acrylic Print

Iglesia Evangelica Jesus Es La Resurreccion Wood Print

Wood Print

Iglesia Evangelica Jesus Es La Resurreccion Greeting Card

Greeting Card

Framed Print Tags

framed prints alabama framed prints church framed prints

Photograph Tags

photographs alabama photos church photos

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Artist's Description

Iglesia Evangélica Jesús es la Resurrección, Northport, Alabama.

Copyright 2024, Jeremy Butler.

About Jeremy Butler

Jeremy Butler

Jeremy Butler set up a darkroom in his parents' utility room while in high school in Phoenix, around 1970. He pestered his friends relentlessly and ruthlessly throughout the 1970s--constantly thrusting the camera in their faces. But he never could afford to print all the images on some 100 contact sheets. Now that he has a scanner, he's gone wild rediscovering the images he shot during that decade. I guess it's just the law of averages that some of them are quite good. In the 1980s, Jeremy began shooting more color film. He had no access to a black-and-white darkroom and so the impetus to shoot B&W gradually faded. And he was an early convert to digital photography as the 20th century came to a close. These black-and-white images...

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